Monday, October 29, 2012

On sale Past and future in Shakespeare's drama (Annual Shakespeare lecture of the British Academy)


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    Sunday, October 28, 2012

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    Customer Review Rank : Review score 4.0 of 5
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    shakespeare in oxford review

    Product Description

    For more than two hundred years after William Shakespeare's death, no one doubted that he had written his plays. Since then, however, dozens of candidates have been proposed for the authorship of what is generally agreed to be the finest body of work by a writer in the English language. In this remarkable book, Shakespeare scholar James Shapiro explains when and why so many people began to question whether Shakespeare wrote his plays. Among the doubters have been such writers and thinkers as Sigmund Freud, Henry James, Mark Twain, and Helen Keller. It is a fascinating story, replete with forgeries, deception, false claimants, ciphers and codes, conspiracy theories—and a stunning failure to grasp the power of the imagination.

    As Contested Will makes clear, much more than proper attribution of Shakespeare’s plays is at stake in this authorship controversy. Underlying the arguments over whether Christopher Marlowe, Francis Bacon, or the Earl of Oxford wrote Shakespeare’s plays are fundamental questions about literary genius, specifically about the relationship of life and art. Are the plays (and poems) of Shakespeare a sort of hidden autobiography? Do Hamlet, Macbeth, and the other great plays somehow reveal who wrote them?

    Shapiro is the first Shakespeare scholar to examine the authorship controversy and its history in this way, explaining what it means, why it matters, and how it has persisted despite abundant evidence that William Shakespeare of Stratford wrote the plays attributed to him. This is a brilliant historical investigation that will delight anyone interested in Shakespeare and the literary imagination.

    Product Description

    For more than two hundred years after William Shakespeare's death, no one doubted that he had written his plays. Since then, however, dozens of candidates have been proposed for the authorship of what is generally agreed to be the finest body of work by a writer in the English language. In this remarkable book, Shakespeare scholar James Shapiro explains when and why so many people began to question whether Shakespeare wrote his plays. Among the doubters have been such writers and thinkers as Sigmund Freud, Henry James, Mark Twain, and Helen Keller. It is a fascinating story, replete with forgeries, deception, false claimants, ciphers and codes, conspiracy theories—and a stunning failure to grasp the power of the imagination.

    As Contested Will makes clear, much more than proper attribution of Shakespeare’s plays is at stake in this authorship controversy. Underlying the arguments over whether Christopher Marlowe, Francis Bacon, or the Earl of Oxford wrote Shakespeare’s plays are fundamental questions about literary genius, specifically about the relationship of life and art. Are the plays (and poems) of Shakespeare a sort of hidden autobiography? Do Hamlet, Macbeth, and the other great plays somehow reveal who wrote them?

    Shapiro is the first Shakespeare scholar to examine the authorship controversy and its history in this way, explaining what it means, why it matters, and how it has persisted despite abundant evidence that William Shakespeare of Stratford wrote the plays attributed to him. This is a brilliant historical investigation that will delight anyone interested in Shakespeare and the literary imagination.




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      30 of 39 people found the following review helpful
      5.0 out of 5 stars A fascinating book about the frailty of human beings who yearn to believe strange things., June 29, 2010
      Robert S. Hanenberg "Bob" (San Francisco) - See all my reviews
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      This review is from: Contested Will (Kindle Edition)
      There is something about Shakespeare scholarship which engenders greatness: Greenblatt, Kermode, Wells, Shapiro, Bate, Bloom--these are not dry scholars, but deep thinkers, writers of powerful prose, all with a profound sense of life in other times. None of them believes that someone other than Shakespeare wrote Shakespeare's works.

      But there is a long tradition that Francis Bacon or Edward deVere (or many others) wrote Shakespeare's works, and that somehow generations of scholars have been fooled. Why anyone would think anything so preposterous on the face of it, has always interested me. I once put it down to snobbery, that the son of a glove-maker from Stratford could not have been smart enough to write such plays.

      But it is more complicated than this. Shapiro's main idea is that many people want to believe that such great writing has to be based on experience, and Shakespeare could not have had the experiences which led to the poems and plays... Read more
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      7 of 8 people found the following review helpful
      5.0 out of 5 stars The Place to Begin, April 23, 2012
      Peter Baklava (Charles City, Iowa) - See all my reviews
      My interest in the Shakespeare authorship controversy was piqued by the movie "Anonymous" (2011). "Anonymous" provides an insight into the fervor which this debate has sparked, but it also serves as a caveat. "Anonymous" presents the most extreme theory (the "Prince Tudor" plot) as fact. Seeing it made me want to find an examination of the controversy which is thorough, painstaking, even-handed and cogent. James Shapiro's "Contested Will" rises to the task.

      As a story in and of itself, the origins and profligation of the authorship debate are much more entertaining to read about than "Anonymous" was to watch. Many, many notables became involved over the years in this kerfuffle, including Mark Twain, Sigmund Freud, Henry James, Helen Keller, Ralph Waldo Emerson, Nathaniel Hawthorne... and in the 20th century, three Supreme Court judges who conducted a 'moot court' to hear the various arguments.

      Shapiro, who is a professor at Columbia University, is well... Read more
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      17 of 22 people found the following review helpful
      5.0 out of 5 stars Great scholarly book on the authorship of Shakespeare's plays, May 30, 2011
      Elvin Ortiz "CurlyAl34" - See all my reviews
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      This review is from: Contested Will (Kindle Edition)
      In America, the debate is about who killed JFK. This argument was preceded about two hundred years ago by who wrote Shakespeare's plays. Shapiro offers an exhaustive account on why people began to question Shakespeare as the author of plays. He starts off with an American named Delia Bacon, continues on with Mark Twain, Henry James, Sigmund Freud, and the list goes on. It's quite interesting to see how important names in literary history fall in the trap of believing things that are supported by pseudo research. From revealing secret codes, to communicating with ghosts of Shakespeare's era, to concocting stories of incestuous relationships between Queen Elizabeth and the Earl of Oxford (who was supposed to be the queen's son and lover) that dwarfs JFK and Marilyn Monroe's scandalous relationship considerably. None of the supporters of Oxford or Bacon have ever completed a true research that merits to call these men the true authors. Part of the problem is modernity, explains Shapiro... Read more
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      Monday, October 22, 2012

      cheap Passing Strange: Shakespeare, Race, and Contemporary America

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        Notions, constructions, and performances of race continue to define the contemporary American experience, including America's relationship to Shakespeare. In Passing Strange, Ayanna Thompson explores the myriad ways U.S. culture draws on the works and the mythology of the Bard to redefine the boundaries of the color line.

        Drawing on an extensive--frequently unconventional--range of examples, Thompson examines the contact zones between constructions of Shakespeare and constructions of race. Among the questions she addresses are: Do Shakespeare's plays need to be edited, appropriated, updated, or rewritten to affirm racial equality and retain relevance? Can discussions of Shakespeare's universalism tell us anything beneficial about race? What advantages, if any, can a knowledge of Shakespeare provide to disadvantaged people of color, including those in prison? Do the answers to these questions impact our understandings of authorship, authority, and authenticity? In investigating this under-explored territory, Passing Strange examines a wide variety of contemporary texts, including films, novels, theatrical productions, YouTube videos, performances, and arts education programs.

        Scholars, teachers, and performers will find a wealth of insights into the staging and performance of familiar plays, but they will also encounter new ways of viewing Shakespeare and American racial identity, enriching their understanding of each.


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        Thursday, October 18, 2012

        On sale The Homeric Hymn to Demeter


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        Average Review Rank : Review score 4.7 of 5
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        review shakespeare in oxford



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          Wednesday, October 17, 2012

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            1 of 1 people found the following review helpful
            4.0 out of 5 stars Informative, but not complete, July 13, 2001
            A Kid's Review
            I wet my pants in anticipation for this book. I never could understand Shakespeare, until now. This book revived my intrest and kept me busy for days. The only problem I found with this treasure of literary reference was it's lack of entries for Macmorris from "Henry V" and Jaques De Boys from "As You Like It". Other than that, I say that this book is for anyone who is beaten over the head by Shakespeare's works.
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            5.0 out of 5 stars An excellent all-round reference for the non-Shakespearean, April 1, 2008
            J. Collins (Las Vegas, NV USA) - See all my reviews
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            I was never a huge Shakespeare fan, yeah I studied English Lit in HS and College, memorizing Soliloquies and regurgitating plot for exams but the man's works just don't do that much for me. I wish I had access to this book for those courses; maybe my attitude would've changed. For not only is it a listing of characters, but incorporated in those "bios" are summaries of their motivations; and hence plot discussions.
            It's also written clearly, with a fondness for its subject, but never a snide or condescending tone to the reader.
            As Hamlet said, "The Play's the thing" (had to have at least one quotation); this is a great play reference for the casual reader or puzzle solver. Highly recommended.
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            Tuesday, October 16, 2012

            best buy Shakespeare and Literary Theory (Oxford Shakespeare Topics) on sale

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            Customer Review Rank : Review score 3.5 of 5
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            Product Description

            OXFORD SHAKESPEARE TOPICS

            General Editors: Peter Holland and Stanley Wells

            Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject.

            How is it that the British literary critic Terry Eagleton can say that 'it is difficult to read Shakespeare without feeling that he was almost certainly familiar with the writings of Hegel, Marx, Nietzsche, Freud, Wittgenstein and Derrida', or that the Slovenian psychoanalytic theorist Slavoj %Zi%zek can observe that 'Shakespeare without doubt had read Lacan'? Shakespeare and Literary Theory argues that literary theory is less an external set of ideas anachronistically imposed on
            Shakespeare's texts than a mode - or several modes - of critical reflection inspired by, and emerging from, his writing. These modes together constitute what we might call 'Shakespearian theory': theory that is not just about Shakespeare but also derives its energy from Shakespeare. To name just a few examples:
            Karl Marx was an avid reader of Shakespeare and used Timon of Athens to illustrate aspects of his economic theory; psychoanalytic theorists from Sigmund Freud to Jacques Lacan have explained some of their most axiomatic positions with reference to Hamlet; Michel Foucault's early theoretical writing on dreams and madness returns repeatedly to Macbeth; Jacques Derrida's deconstructive philosophy is articulated in dialogue with Shakespeare's plays, including Romeo
            and Juliet; French feminism's best-known essay is H--eacute--;l--egrave--;ne Cixous's meditation on Antony and Cleopatra; certain strands of queer theory derive their impetus from Eve Kosofsky Sedgwick's reading of the Sonnets; Gilles Deleuze alights on Richard III as an exemplary instance of his theory of the war machine; and postcolonial theory owes
            a large debt to Aim--eacute--; C--eacute--;saire's revision of The Tempest. By reading what theoretical movements from formalism and structuralism to cultural materialism and actor-network theory have had to say about and in concert with Shakespeare, we can begin to get a sense of how much the DNA of contemporary literary theory contains a startling abundance of chromosomes - concepts, preoccupations, ways of using language - that are of Shakespearian provenance.

            Product Description

            OXFORD SHAKESPEARE TOPICS

            General Editors: Peter Holland and Stanley Wells

            Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject.

            How is it that the British literary critic Terry Eagleton can say that 'it is difficult to read Shakespeare without feeling that he was almost certainly familiar with the writings of Hegel, Marx, Nietzsche, Freud, Wittgenstein and Derrida', or that the Slovenian psychoanalytic theorist Slavoj %Zi%zek can observe that 'Shakespeare without doubt had read Lacan'? Shakespeare and Literary Theory argues that literary theory is less an external set of ideas anachronistically imposed on
            Shakespeare's texts than a mode - or several modes - of critical reflection inspired by, and emerging from, his writing. These modes together constitute what we might call 'Shakespearian theory': theory that is not just about Shakespeare but also derives its energy from Shakespeare. To name just a few examples:
            Karl Marx was an avid reader of Shakespeare and used Timon of Athens to illustrate aspects of his economic theory; psychoanalytic theorists from Sigmund Freud to Jacques Lacan have explained some of their most axiomatic positions with reference to Hamlet; Michel Foucault's early theoretical writing on dreams and madness returns repeatedly to Macbeth; Jacques Derrida's deconstructive philosophy is articulated in dialogue with Shakespeare's plays, including Romeo
            and Juliet; French feminism's best-known essay is H--eacute--;l--egrave--;ne Cixous's meditation on Antony and Cleopatra; certain strands of queer theory derive their impetus from Eve Kosofsky Sedgwick's reading of the Sonnets; Gilles Deleuze alights on Richard III as an exemplary instance of his theory of the war machine; and postcolonial theory owes
            a large debt to Aim--eacute--; C--eacute--;saire's revision of The Tempest. By reading what theoretical movements from formalism and structuralism to cultural materialism and actor-network theory have had to say about and in concert with Shakespeare, we can begin to get a sense of how much the DNA of contemporary literary theory contains a startling abundance of chromosomes - concepts, preoccupations, ways of using language - that are of Shakespearian provenance.




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              2 of 2 people found the following review helpful
              5.0 out of 5 stars Cerebrally challenging, December 12, 2011
              Jon Chambers (Birmingham, England) - See all my reviews
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              There must be a lot of people out there - even some prominent Shakespeare scholars - with suspicions about the value of applying modern literary theories to works of the English Renaissance. At times, it is difficult to resist such suspicion or to see exactly whose ingenuity we are supposed to be appreciating - Shakespeare's or the critic's. Jonathan Gil Harris addresses such concerns head on: 'to what extent', he asks, 'do the desires of the reader ... produce the meaning attributed to the text?' But in Shakespeare and Literary Theory he is a very persuasive advocate of back-projecting modern critical theory onto Shakespeare. Especially so, he argues, given that Shakespeare's work often anticipates modern critical preoccupations - with language and identity, for instance.

              The book is no light, bed-time read. It requires concentration and stamina to engage with what are often challenging ideas. If Gil Harris himself occasionally finds Lacan 'extraordinarily difficult', for... Read more
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              0 of 2 people found the following review helpful
              2.0 out of 5 stars Celebrities on Shakespeare, April 24, 2012
              David Auerbach "waggish org" (new york) - See all my reviews
              Harris conveniently states the problem with this short, well-written book in the introduction: "This book examines the most influential movements in
              contemporary literary theory and how its leading practitioners have engaged Shakespeare." Why is this a problem? Because the "leading practitioners" often knew very little about Shakespeare. Sigmund Freud thought Shakespeare wasn't Shakespeare, but the Earl of Oxford, a view that would get him tossed out of the academy today. But because he's Freud, we hear more about his daffy psychoanalytical interpretations than we do about the much more careful and insightful applications of Freudian theory to Shakespeare by Stanley Cavell (Disowning Knowledge: In Seven Plays of Shakespeare) and Janet Adelman... Read more
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              *** Terms and Disclaimer *** CERTAIN CONTENT THAT APPEARS ON THIS SITE COMES FROM AMAZON SERVICES LLC. THIS CONTENT IS PROVIDED ‘AS IS’ AND IS SUBJECT TO CHANGE OR REMOVAL AT ANY TIME.
              This site is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com, endless.com, myhabit.com, smallparts.com, or amazonwireless.com. Some content that appears on this site come from AMAZON Services LLC This content is provided 'as' and are subject to change or remove it at any time.
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