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Shakespeare's Romans are intensely concerned with "constancy." Geoffrey Miles traces the Stoic origins of this Roman principle of being "always the same" and explores the varying forms it takes in writers such as Cicero, Seneca, and Montaigne. Building on this genealogy of constancy, Miles reads Shakespeare's Roman plays as reworkings of three figures found in Plutarch: the constant Brutus, the inconstant Antony, and the obstinate Coriolanus. The tragedies of these characters act out the attractions, flaws, and self-contradictions of constancy, and the tragicomic failure of the Roman hope that"were man/ But constant, he were perfect."
Shakespeare and the Constant Romans (Oxford English Monographs) reviews
Shakespeare and the Constant Romans (Oxford English Monographs) Reviews
A 'Constant' Joy!, Amazon Verified Purchase This review is from: Shakespeare and the Constant Romans (Oxford English Monographs) (Hardcover) I found this book to be both enjoyable and intellectually provocative; however it is a monograph which is not for everyone. It is for those few who enjoy a scholarly analysis of a concept, (in this case, "constancy,") within the constructs of ancient Roman philosophy (in this case, stoicism), Renaissance philosophy (in this case, Montaigne), and three of Shakespeare's dramas (in this case, Julius Caesar, Coriolanus, and Anthony & Cleopatra).Originally composed as a PhD. dissertation, Geoffrey Miles has produced a defensible and additive assessment of the concept of constancy and has done so by appropriately spinning a golden thread over time with his own display of academic constancy. He explores the time-evading life of this concept and how its expression and its enactment lead to complex forms and results. In particular, Seneca's version of constancy (i.e., "steadfastness") and Cicero's alternative form (i.e., "consistency") are evaluated throughout with... Read more |
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